Supergel #00: Clear
A durable, heat resistant polycarbonate film used in the preparation of color scrollers to allow the passage from a color to clear. (Trans.= 100%).

Supergel #01: Light Bastard Amber
Enhances fair skin tones. Suggests strong sunlight. (Trans.= 56%).

Supergel #02: Bastard Amber
Good where a tint of color is needed. Excellent for natural skin tones. (Trans.= 78%, -0.4s).

Supergel #03: Dark Bastard Amber
Most saturated Bastard Amber. (Trans.= 62%).

Supergel #04: Medium Bastard Amber
Especially useful when cross lit with a cool color. Excellent for natural sunlight. (Trans.= 66%).

Supergel #05: Rose Tint
A clean pale pink; useful as a blush for skin tones. (Trans.= 80%).

Supergel #06: No Color Straw
Slightly off white. Good for interiors. (Trans.= 92%, -0.1s).

Supergel #07: Pale Yellow
Double saturation of 06. (Trans.= 96%).

Supergel #09: Pale Amber Gold
Deep straw. Good for late afternoon sunsets or firelight. (Trans.= 74%).

Supergel #10: Medium Yellow
Yellow with green. Good for special effects. Unflattering in acting areas. (Trans.= 92%).

Supergel #11: Light Straw
Pale yellow with slight red content. Useful for candle effects. Can be used for area lighting. For bright day feeling. (Trans.= 82%).

Supergel #13: Straw Tint
Much less green than in other straws. Suggests warm sunlight glow when contrasted with ambers and blues. (Trans.= 78%).

Supergel #14: Medium Straw
Pale amber-higher red content than 12. Sunlight, accents, area lighting with caution to skin tones. (Trans.= 68%).

Supergel #15: Deep Straw
Warm golden amber with some green. Useful for special effects-candlelight, firelight. (Trans.= 65%).

Supergel #19: Fire
Strong red amber. Excellent for fire effects. (Trans.= 20%).

Supergel #20: Medium Amber
Afternoon sunlight. Lamplight and candlelight. Tends to depress color pigment values. (Trans.= 54%).

Supergel #21: Golden Amber
Useful for amber cyc light and late sunsets. (Trans.= 43%, -1.2s).

Supergel #22: Deep Amber
Very useful as a backlight. Dramatic specials and firelight. (Trans.= 26%).

Supergel #23: Orange
Provides a romantic sunlight through windows for evening effects. (Trans.= 32%, -1.7s).

Supergel #24: Scarlet
Very deep amber. Red with a touch of blue. (Trans.= 22%).

Supergel #25: Orange Red
Good for firelight or special effects. Use when red with higher yellow content is needed. (Trans.= 14%).

Supergel #26: Light Red
Vibrant red. Good alternative primary. (Trans.= 12%, -3.0s).

Supergel #27: Medium Red
Good red primary for use with three-color light primary systems in cyclorama lighting, footlights, and border lights. (Trans.= 4%).

Supergel #30: Light Salmon Pink
Excellent for general area washes. Gives overall warming effect to skin tones. (Trans.= 44%).

Supergel #304: Pale Apricot
A peach amber. More yellow than 305. (Trans.= 79%).

Supergel #305: Rose Gold
A pale blush amber for skin tones and backlight. (Trans.= 75%).

Supergel #31: Salmon Pink
General wash. Good for follow spots. (Trans.= 46%).

Supergel #312: Canary
Warmer than 10. A bright, vibrant yellow that evokes exotic sunlight. Use with caution on skin. (Trans.= 85%).

Supergel #317: Apricot
A rosy amber which produces a romantic sunset color. Useful as sidelight or backlight color. (Trans.= 51%).

Supergel #318: Mayan Sun
A medium salmon color which evokes feeling of a tropical island. A good sunset color. Interesting backlight and accent color. Good for warm tonal effects. (Trans.= 52%, -0.9s).

Supergel #32: Medium Salmon Pink
Deepest of the salmon pinks. (Trans.= 28%).

Supergel #33: No Color Pink
A pale almost colorless pink. (Trans.= 65%, -0.6s).

Supergel #332: Cherry Rose
A tropical pink that is good for musicals or concert lighting. A good backlight color. Interesting accent color. Good for a splash of sunset color. (Trans.= 38%).

Supergel #337: True Pink
A cool pink excellent for washes and general illumination. A good follow spot color. A component of early morning sunrise. (Trans.= 55%).

Supergel #339: Broadway Pink
A deep, saturated pink created for musicals and specials. Excellent for down and backlighting. (Trans.= 15%).

Supergel #342: Rose Pink
Extremely intense, hot pink. Produces strong washes of color for concert and dance. Combined with a complimentary color like turquoise, will create a dynamic, sculptured effect. (Trans.= 16%).

Supergel #343: Neon Pink
A bright, dark pink excellent for musicals or rock and roll concert lighting. A good color for creating fake neon effects with fluorescent tubes. (Trans.= 33%).

Supergel #344: Follies Pink
A vibrant, almost fluorescent pink with a cool component. Traditionally important as a special effects color in the Broadway musical. Follow spot and dance applications as a modeling color. (Trans.= 21%).

Supergel #349: Fisher Fuchsia
A medium fuchsia good for special effects. An interesting backlight or accent color. (Trans.= 11%).

Supergel #35: Light Pink
Similar to 33, but slightly deeper. (Trans.= 66%).

Supergel #355: Pale Violet
A cool lavender which acts as a neutral in a three color area lighting system. Will work well as a wash for drops or set pieces. Tones the space. Effective as moonlight shadows. (Trans.= 20%).

Supergel #356: Middle Lavender
A lavender halfway between 52 and 57 in hue and value. Useful for general illumination and side-lighting. (Trans.= 27%).

Supergel #357: Royal Lavender
A rich lavender which will enhance blue and red costumes and scenic pieces. Excellent for nightime scenes. Rich, vivid accents, good in backgrounds. (Trans.= 5%).

Supergel #358: Rose Indigo
A warm, red purple that recalls the Jazz Age. Useful for creating saturated color effects in live performance situations-club and musical group lighting. (Trans.= 10%).

Supergel #359: Medium Violet
Midnight and moonlight illusions. Enforces mysterious mood. Useful for evening cyc wash.

Supergel #36: Medium Pink
Good for general washes and cross lighting. (Trans.= 46%).

Supergel #363: Aquamarine
A pale blue-green color. Can be used for area lighting. A soft backlight color. (Trans.= 52%).

Supergel #367: Slate Blue
Clean medium blue. Good for sky color or moonlight. (Trans.= 20%).

Supergel #370: Italian Blue
Good to create eerie and mysterious effects. Good for night time water effects. (Trans.= 31%).

Supergel #38: Light Rose
Similar uses as 37, but with greater saturation. (Trans.= 49%).

Supergel #382: Congo Blue
Deep blue more saturated than Roscolux 385. Good for dark night skies or for a backlight color. A great color for rock and roll concert lighting. (Trans.= 56%).

Supergel #383: Sapphire
A deep romantic blue on the red side. (Trans.= 4%).

Supergel #385: Royal Blue
Excellent for non-realistic backgrounds. A very saturated blue. Pronounced red content that will shift toward purple when dimmed. Low transmission but will offer a striking contrast when used as a background with lighter accents. (Trans.= 4%).

Supergel #388: Gaslight Green
A yellow-green similar to the color emitted by gas lighting fixtures. Appropriate for period pieces: i.e. La Boheme, and useful for creating reflections from fields and meadows. (Trans.= 76%).

Supergel #389: Chroma Green
Suggests reflected light from dense foliage. A brilliant cyc lighting color which will work for chroma-keying effects in television production. (Trans.= 40%).

Supergel #39: Skelton Exotic Sangria
A sultry, deep purple. Good for musicals or concert lighting. Excellent special effects color. (Trans.= 10%).

Supergel #395: Teal Green
A medium green-blue which can be used as a mystical special effect color. Also an interesting side or backlight color in concert lighting. (Trans.= 13%).

Supergel #40: Light Salmon
Similar uses to 23 but a bluer color. (Trans.= 34%).

Supergel #43: Deep Pink
Rich, hot pink. Electric in effect with rich saturation. (Trans.= 28%).

Supergel #45: Rose
Use on scenery and background effects. Adds tone and modeling to scenery. (Trans.= 8%).

Supergel #46: Magenta
Similar uses as 45 where more saturation is needed. (Trans.= 6%).

Supergel #47: Light Rose Purple
Good for eerie or dramatic effects. Beautiful backlight color. (Trans.= 16%, -2.6s).

Supergel #48: Rose Purple
Pale evening color. Excellent for backlight. (Trans.= 16%).

Supergel #49: Medium Purple
Darkest of the magenta purple range. (Trans.= 4%).

Supergel #51: Surprise Pink
Touch of color when white light is not desirable. (Trans.= 54%, -0.9s).

Supergel #52: Light Lavender
Excellent for general area or border light washes. It is a basic followspot color. (Trans.= 26%).

Supergel #53: Pale Lavender
Use when a touch of color is needed. (Trans.= 64%).

Supergel #54: Special Lavender
Same as 53, but warmer. Useful for beams of realistic moonlight. (Trans.= 50%).

Supergel #55: Lilac (bluer)
Same as 53, but cooler. (Trans.= 37%).

Supergel #56: Gypsy Lavender
Highly saturated, good for side and backlighting and non-realistic effect. (Trans.= 4%).

Supergel #57: Lavender
Excellent backlight. Gives good visibility without destroying night illusions. (Trans.= 24%).

Supergel #58: Deep Lavender
Excellent back light. Enhances dimensionality. (Trans.= 10%).

Supergel #59: Indigo
The original Congo Blue. A purple-blue, highly saturated, for modeling effects and non-realistic atmospheres. (Trans.= 2%, -5.7s).

Supergel #61: Mist Blue (greener)
Excellent for general area washes. Very light cool tint of blue. (Trans.= 66%).

Supergel #62: Booster Blue
Helps maintain white light when dimmer is at low intensity. (Trans.= 54%, -0.9s).

Supergel #63: Pale Blue (greener)
Good for creating an overcast look and feeling. (Trans.= 56%).

Supergel #64: Light Steel Blue
Useful for beams of realistic moonlight. (Trans.= 26%).

Supergel #65: Daylight Blue
Useful for achieving depressed moods and dull skies. (Trans.= 35%, -1.5s).

Supergel #66: Cool Blue
A pale green shade of blue; good for area or general washes. Creates an icy feeling on stage. (Trans.= 67%).

Supergel #67: Light Sky Blue
Excellent sky color. Useful for cyc and border lights. (Trans.= 26%).

Supergel #68: Sky Blue
Excellent for early morning sky tones. Popular among designers for cyc and borders. (Trans.= 14%).

Supergel #69: Brilliant Blue
Used for dramatic moonlight effects. (Trans.= 18%).

Supergel #70: Nile Blue
Useful for very light midday skies. Occasionally used for general cool tint. (Trans.= 45%).

Supergel #71: Sea Blue
Occasionally used for general cool tint and non-realistic washes. (Trans.= 30%).

Supergel #72: Azure Blue
A clean slightly green blue. Good moonlight fill. (Trans.= 44%).

Supergel #73: Peacock Blue
Good for fantasy, moonlight and water effects. (Trans.= 28%).

Supergel #74: Night Blue
Fantasy moonlight. Crisp and beautiful. Popular as a backlight or sidelight in contrast to area light. (Trans.= 4%).

Supergel #76: Light Green Blue
Distinctive greenish blues. Useful for romantic moonlight. (Trans.= 9%).

Supergel #78: Trudy Blue
A rich clean red blue that warms to lavender when dimmed. (Trans.= 19%).

Supergel #79: Bright Blue
Cool clear bright blue. (Trans.= 8%).

Supergel #80: Primary Blue
Primary blue. For use with three color light primary system in cyc lighting. (Trans.= 9%, -3.5s).

Supergel #81: Urban Blue
Very cold brittle feeling. (Trans.= 10%).

Supergel #82: Surprise Blue
Deep rich blue with slight amount of red. (Trans.= 6%).

Supergel #83: Medium Blue
Good for non-realistic night skies. (Trans.= 4%, -4.7s).

Supergel #84: Zephyr Blue
A true blue with excellent punch for bright skies. Lovely contrast to pale blues; adds coldness to shadows. (Trans.= 14%).

Supergel #85: Deep Blue
Deeply saturated blue with a hint of red. (Trans.= 3%).

Supergel #86: Pea Green
Good for dense foliage and woodland effects. (Trans.= 56%).

Supergel #88: Light Green (darker)
Sunny spring mornings. (Trans.= 82%, -0.3s).

Supergel #89: Moss Green
Useful for mood, mystery and toning. (Trans.= 45%, -1.2s).

Supergel #90: Dark Yellow Green
Alternate primary where higher transmission is desired. (Trans.= 13%).

Supergel #91: Primary Green
Primary green for three color primary system. (Trans.= 7%, -3.8s).

Supergel #93: Blue Green (darker)
Useful for mood of mystery and for toning scenery that has been spattered in blues. (Trans.= 35%, -1.5s).

Supergel #94: Kelly Green
Fantasy and unrealistic effects. Unflattering on skin tones. (Trans.= 25%).

Supergel #95: Medium Blue Green
Used on foliage in moonlight areas or for creating a mood of mystery. Good for toning scenery painted in blues, blue-greens and greens. (Trans.= 15%).

Supergel #96: Lime
To simulate unnatural sunlight before and after a rainstorm or tornado. (Trans.= 98%).